Magnetism of Balenciaga

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The parade Nicolas Ghesquiére in Balenciaga has done for us to see the bright side of the creator with a more feminine and sophisticated collection with no clear betrays itself, continues with its peak ahead, continues with its delusions and its robotic perversions androids but has become his wife, his client, in a city that loves glamoamazona the mark and not only because it was the pledge it this season but for a perfect cut and original as an elaboration of the classics, read the arrival of the new taillor of Ghesquiére to black, but it continues with its passions and its future revised. Ghesquiére sells saleability concept, but refined and feminine. The parade Nicolas Ghesquiére in Balenciaga has done for us to see the bright side of the creator with a more feminine and sophisticated collection with no clear betrays itself, continues with its peak ahead, continues with its delusions and its robotic perversions androids but has become his wife, his client, in a city that loves glamoamazona the mark and not only because it was the pledge it this season but for a perfect cut and original as an elaboration of the classics, read the arrival of the new tallieur of Ghesquiére to black, but it continues with its passions and its future andróginas revised. Ghesquiére sells saleability concept, but refined and feminine.

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The parade has been open a number of designs in black oil with openings, very sexual, in the hip and thigh that left visible the female body. To offset either sex, Ghesquiére has decided to mutate into glamoamazonas lovers fashionismo end, wild party girls,

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Then again Ghesquiére their delusions of merchantability conceptually. The simple black skirt Do? For the Ghesquiére black skirt is the new object of desire and experiment. Now combined with jackets spy futuristic closed without form, and with a touch andróginas robotic and takes on the seriousness most sober.

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At the end seduces them all the team's black and white. And if Ghesquiére wants, is a teacher. Wonderful design uve neck, rectum, drapeado marked with waist skirt and concluding with a very erotic but nothing carnal. A beautiful design. Ghesquiére a surrender.

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The two pieces but in another way, more professional, more refined, more Ghesquiére. Jacket cutting men loose with the waist and neck with horseshoe color creates a black silhouette purified. As supplements, a gray skirt with a grand opening thigh and a bajotela plisada. As accessories, the future.

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Dressed cutting structural materials made with a little moldeable, almost rigid, and with a high-gloss finish. Ghesquiére returns to the women who seem androids, but this time, female: more neckline, waist more and more volumes.

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Another version of the look of Balenciaga. Cutting irregular shirt and almost royal blue, combined with details blank. Amazon urban, more gray but with a touch of Ghesquiére visionary.

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Another set urban stepped on the gangway Balenciaga, trousers ultraviolet color stone combined with a metallic. And an original cut-off T-shirt with large irregular details in shades of black and white. As accessories, metallic and futuristic inspiration.

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The night of Balenciaga loses all femininity of the rider cosmopolitan and futuristic rescues of libel android chic, the robotic futurism and the test metal. Can Return or is the inspiration of Ghesquiére in Balenciaga.

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Ghesquiére, beloved child in the world of fashion, creator and created maelstrom of temptations has created a collection that combines the key to their look, futuristic protest, delirious with notions of classicism, charm and sophistication. Ghesquiére been reborn, concerned about how and uncompromising. Ghesquiére unconcerned create beauty, is not a priority because they sell without doing but has noticed that in the end the ugly duckling and swan was the frog prince and the beauty as an entity, as a goal, is magnetic. Ghesquiére, new airs at Balenciaga, new cuts and old forms for a patriot, for a creator for a couturier. Back to Ghesquiére Balenciaga, but also turn their androids come back chic.

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